… As for music,
I consider my album Skeletons on Rock (Laton, 2009) to be a quintessential work of music. Special attention should be paid to the texts on the album’s poster. The album has quite a few layers and thus is especially a treat for the art crowd. For me it also means extensive research on rhythms. The album is also a comment on the perversity called ‘sound experimentation’, which produced a style known as ‘experimental’, amongst others. What’s left today of the late 1990s and early 2000s heyday of experiments is the rather generalising term ‘noise’, which does not say that much…
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