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The competition for the memorial to the victims of communism is yet another stage in the post-communist rehabilitation pro- cess. Estonian s...
Architecture
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Eero Epner (EE): You set up your architectural office in 2004 when various other new companies had already started: Kosmos and Kavakava in 2...
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If someone named a young Estonian architectural office who represented all the dash and verve, abundant forms and carefree spatial games usu...
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I live in Nõmme, a district in Tallinn full of small private houses and plots of land that generally emerged in the 1920s and 1930s, a distr...
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The publication in 1998 of Professor Leo Gens‰s monograph, Architect Karl Burman (1882-1965), can easily be considered a remarkable event in...
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Contrary to the opinion of many foreign colleagues in the early 1990s, who thought that a newly-independent and ex-socialist country would c...
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It would be quite an achievement, to put it mildly, to squeeze an overview of Estonian Neo-Classicism to a mere two three pages. In the 18th...
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Some Western art critics have constructed a simplified scheme which place art of the (post)socialist countries into that produced before the...
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The 17th and 18th centuries, associated in the history of European art with the Baroque, denoted the time of two political powers in Estonia...
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Of all fields of art, architecture is doubtlessly most closely connected with the welfare of the state at any given moment. New buildings ar...