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Katariina Meister and Lylian Meister (exhibition participants):
A) The exhibition was inspiring and had an air of liberal art; the bo...
Review
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The installation artist Neem Külm was awarded the Cultural Endowment annual art prize this year for his artistic achievements in 2012. This ...
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Last year marked two decades of the restoration of Estonian independence, and many public speeches, and the media in general, frequently use...
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You probably know the duck-rabbit picture through which Ernst Gombrich described the necessary ambivalence of art and how the viewer’s perce...
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The Italian philosopher Giorgio Agamben’s short essay The Last Judgement (2005) served as the ideological viewpoint to the international exh...
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The symbol of the Tallinn Month of Pho-to-graphy presents a photographic studio where, unusually, lighting equipment lights itself. As the f...
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I am truly happy that Kaido Ole no longer has to paint self-portraits with heads that swell like question marks and finally explode. Or depi...
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Paul Kuimet is one of the new names in Estonian photography. His work has stood out in recent years for its critical and sensitive treatment...
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When I think back, the exhibition felt quite similar to the Contemporary Art Centre’s usual buzz. Several overlapping sound- tracks, uncover...
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This year’s Estonian exhibition at the Venice Biennial, Liina Siib’s A Woman Takes Little Space, occupies five small rooms (and the toi-...