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IN TARTU ROAD
THE APPLIED ART SCHOOL
TOOK THE ARTIST UNDER ITS WING
IN COOPERATION WITH INDUSTRY
AND THE NEW ESTONIAN STATE
IN ORDER TO...
Article
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Nikolai Triik was among the first generation of Estonian artists, whose task was to carry out the historic mission of modernising Estonian a...
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Introduction
Hanna Laura Kaljo
Led by five young artists – Mari-Leen Kiipli, Kulla Laas, Aap Tepper, Mari Volens and Kristina Õllek – ...
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An Estonian Russian artist living in Germany, Katja Novitskova, is one of the pathfinders of post-internet art. She is known as an Estonian ...
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The Commissioning of Artworks Act (CAA), also known as the 'percentage act', which regulates the commissioning of artworks for new public bu...
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In autumn 2013 the Art Museum of Estonia started an extensive project, focusing on investigating and conserving the retable of the high al...
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As I try to reflect on the topic of (art) education, I actually end up stressing the importance of what one does when the academy is breakin...
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It was late autumn 2006 when the artists Marco Laimre and Neeme Külm set about cleaning up the former administrative building of a Tallinn h...
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The distinction between the study and practice of nationalism can be a fine one. This is particularly true for places like Estonia, where wr...
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I
MURAL LEE
Flicking through reviews of Raul Meel’s works, the usage of the word myth strikes the eye: self-myth, creation of myth, artis...