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Eero Epner (EE): In your essay Selected Nodes in a Network of Thoughts on Curating you define the task of the curator not just “choose rando...
Art
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When I think back, the exhibition felt quite similar to the Contemporary Art Centre’s usual buzz. Several overlapping sound- tracks, uncover...
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A few years ago, you wrote an influential article entitled Post-colonialism and Estonia. In that article, you point out several keywords rel...
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This year’s Estonian exhibition at the Venice Biennial, Liina Siib’s A Woman Takes Little Space, occupies five small rooms (and the toi-...
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I recently saw Alexei Yurchak’s book on your table, Everything was forever, until it was no more: The last Soviet generation...
The conce...
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Anders Härm, curator, art historian and essayist, how has it come about that the dating-format Facebook has become an important pla...
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National exhibitions are what museums and galleries like. However, what we often get under the slogan ‘national exhibition’ is a simple ‘tic...
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The 14th Tallinn Print Triennial took place from 17 October to 25 November in 2007
The subtitle, Political/Poetical of the 14th...
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The 800-square-metre great hall at the Kumu Art Museum recently exhibited the work of an artist who has become a fatalist, defining his crit...
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To build for the future
The Russian artist Zurab Tsereteli has developed a curious business strategy. He offers his sculptures as gif...