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Describing the difference between how we live today and how this lived experience is represented in theoretical terms and discourses, the sc...
Art
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In October and November of last year, Tartu simultaneously hosted two solo exhibitions in different venues. Overtly political, both dealt wi...
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Traditionally, Kiasma’s collection exhibitions have had thematic framings. In recent years, the starting points for exhibition projects have...
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When we think about the two central concepts of this exhibition – screen and archive – it’s obvious that photographic images are native inha...
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I had to open a new personal e-mail account recently, an action one rarely does these days. A long time has gone by since I signed up for my...
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Tõnis Vint (b.1942) is a legendary figure in Estonian art of the second half of the 20th century. From the late 1960s on, the works of Vint,...
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To write ten thousand characters on Yuri Sobolev is a daunting task and forces one into a choice: to list his life’s events or describe ever...
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The central thesis of Jacques Rancière’s philosophy of art is that art introduces changes in the partition of the sensible¹. This doesn’t me...
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Marge Monko’s “Dear D” (2015) explores the basic dilemma of emotional disclosure: the act of declaring one’s attraction, even love, without ...
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From the very start of her path as an artist, around 2010, Katja Novitskova’s work has been concerned with the ecology of digital images: ho...