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Eero Epner (EE): Raul Keller, you have been active in the Estonian music scene for years and it seems that one topic that keeps crop...
Estonian Art 11/1
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In spring 2010, I chose sound art and, more specifically, Estonian sound art as the topic of my Bachelor’s thesis at the Institute of Art Hi...
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Paul Kuimet is one of the new names in Estonian photography. His work has stood out in recent years for its critical and sensitive treatment...
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Eero Epner (EE): In your essay Selected Nodes in a Network of Thoughts on Curating you define the task of the curator not just “choose rando...
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Eero Epner (EE): You set up your architectural office in 2004 when various other new companies had already started: Kosmos and Kavakava in 2...
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If someone named a young Estonian architectural office who represented all the dash and verve, abundant forms and carefree spatial games usu...
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When I think back, the exhibition felt quite similar to the Contemporary Art Centre’s usual buzz. Several overlapping sound- tracks, uncover...
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A few years ago, you wrote an influential article entitled Post-colonialism and Estonia. In that article, you point out several keywords rel...
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This year’s Estonian exhibition at the Venice Biennial, Liina Siib’s A Woman Takes Little Space, occupies five small rooms (and the toi-...
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I recently saw Alexei Yurchak’s book on your table, Everything was forever, until it was no more: The last Soviet generation...
The conce...