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If Only You Could See What I’ve Seen with Your Eyes addresses the emerging relationship between visual culture, big data-driven industries, ...
Estonian Art 17/1
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1. State of Cloud
What role can singing play when a nation is faced with annihilation by its neighbours?
What role can a ponyta...
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In July 2013 the non-profit gallery Konstanet was founded in Estonia. In the same year and same month, the American art critic Michael Sanzh...
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JAAKKO:
~™™~~'™´´±8¨8¨7¨76''4¨4™******~¨~~¨
this symbol chain marks the beginning of our chat log
KATJA:
let’s go
&...
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Tüüne-Kristin Vaikla talks with Arne Maasik
On the windowsill of a residential building in New York City near the World Trade Center’s tw...
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The infinite screen of content invites you to scroll through
In a moment things flash and seeing becomes inhabiting
First off, I want to s...
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Now that the internet has drowned in social networks and commercial channels, it makes sense to look back at the experiences of net art in t...
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During the current decade, the Estonian pavilion at the Venice Biennial has presented projects dealing with post-Soviet, feminist and queer ...