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Paul Paper has worked with books since 2006 and has published 12 titles, including “Untaken Photographs” (Booklet Press), “Contemporary Phot...
Estonian Art 18/2
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Estonia’s first appearance at a World’s Fair came in Paris in 1937, in the form of a joint pavilion with Latvia and Lithuania. Both at the a...
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Looking at Environments and Environmentalists
The aim of this essay is to argue for the enhanced perception of environments as a poin...
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Evelin Kangur Talks with Textile Designer Mare Kelpman
Mare Kelpman has had a sensational year of celebrations, to say the least: win...
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Estonian, Latvian and Lithuanian Design Exhibitions from the Early 1960s to the Late 1980s
During the Soviet years, joint Baltic exhibition...
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The year 2018 marks the 13th occurrence of the Baltic Triennial, which, for the first time since it was established in 1979, takes place in ...
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How can knitting be made into contemporary, socially inclined art? Kristel Kuslapuu, the freshest – not as in a newbie, but as in a breath o...
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I met Anna Estarriola many years ago in Corona bar in Helsinki. We have been friends since.
Anna Estarriola has been actively working as ...
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The book dedicated to half a century of the Tallinn Graphic Art Triennials evokes contradictory feelings: the satisfaction that we have mana...
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One hundred years ago, when the independence of the three Baltic States was proclaimed, who would have thought that in 2018 all three of the...