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Spring 2015 in Estonia was like it always is: the weather never quite warmed up and the right-wingers won the elections. Less than...
Tags archives: eero-epner
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In March 1919, a newspaper published a few columns mixed in with adverts. “It is not right and proper that we send off the first few vital i...
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Twentieth century theatre has seen various avant-garde trends, which have tried to rid it of the reputation of theatre being a ‘bourgeois fi...
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Laura Pählapuu (LP): I remember how as a child I was fascinated with the visual, formal side of things: colourful pictures in books, printed...
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After Raoul Kurvitz’s exhibition opened, the grey cardinal on the political landscape in the decisive early 1990s posted on his Facebook wal...
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EE: Minister Jaak Aaviksoo has said that the ministry has not dealt with any other university in recent years as much as with the Estonian A...
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Eero Epner (EE): In following the political situation in Hungary, I cannot resist the temptation to ask a simple question: What the hell is ...
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Eero Epner (EE): In your essay Selected Nodes in a Network of Thoughts on Curating you define the task of the curator not just “choose rando...
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Eero Epner (EE): You set up your architectural office in 2004 when various other new companies had already started: Kosmos and Kavakava in 2...